{"id":483,"date":"2008-11-18T11:54:28","date_gmt":"2008-11-18T11:54:28","guid":{"rendered":"http:\/\/perezginer.es\/?p=483"},"modified":"2008-11-18T11:54:28","modified_gmt":"2008-11-18T11:54:28","slug":"el-senor-de-la-salle-1965","status":"publish","type":"post","link":"https:\/\/perezginer.es\/?p=483","title":{"rendered":"El Se\u00f1or de la Salle (1965)"},"content":{"rendered":"<p>Director: <strong>Luis C\u00e9sar Amadori<\/strong>.<br \/>\n<a href=\"https:\/\/i0.wp.com\/perezginer.es\/wp-content\/uploads\/2008\/11\/el-senor-de-la-salle-1965.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"484\" data-permalink=\"https:\/\/perezginer.es\/?attachment_id=484\" data-orig-file=\"https:\/\/i0.wp.com\/perezginer.es\/wp-content\/uploads\/2008\/11\/el-senor-de-la-salle-1965-1.jpg?fit=235%2C320&amp;ssl=1\" data-orig-size=\"235,320\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"El Se\u00f1or de La Salle\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/perezginer.es\/wp-content\/uploads\/2008\/11\/el-senor-de-la-salle-1965-1.jpg?fit=235%2C320&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/perezginer.es\/wp-content\/uploads\/2008\/11\/el-senor-de-la-salle-1965-220x300.jpg?resize=220%2C300\" alt=\"\" title=\"El Se\u00f1or de La Salle\" width=\"220\" height=\"300\" class=\"alignnone size-medium wp-image-484\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Director: Luis C\u00e9sar Amadori.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4],"tags":[],"class_list":["post-483","post","type-post","status-publish","format-standard","hentry","category-films"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p71hx9-7N","jetpack-related-posts":[{"id":1724,"url":"https:\/\/perezginer.es\/?p=1724","url_meta":{"origin":483,"position":0},"title":"Jos\u00e9 Luis Guer\u00edn se defiende","author":"4gats","date":"August 11, 2011","format":false,"excerpt":"Maurici Pl\u00e0 Serra acus\u00f3 a Guer\u00edn de haber incluido unos planos, rodados sin ning\u00fan permiso, de su hermano Manuel en el cortometraje MEMORIAS DE UNA MA\u00d1ANA. Tambi\u00e9n le acusaba de haber deformado la imagen de su hermano suicida. El director se defiende hoy en La Vanguardia y escribe que \u00abpuedo\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":555,"url":"https:\/\/perezginer.es\/?p=555","url_meta":{"origin":483,"position":1},"title":"El D\u00eda de Ma\u00f1ana (1965)","author":"4gats","date":"November 18, 2008","format":false,"excerpt":"Director: Agustin Navarro.","rel":"","context":"In &quot;Pel\u00edculas&quot;","block_context":{"text":"Pel\u00edculas","link":"https:\/\/perezginer.es\/?cat=4"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3315,"url":"https:\/\/perezginer.es\/?p=3315","url_meta":{"origin":483,"position":2},"title":"Selecci\u00f3n de frases","author":"4gats","date":"September 17, 2015","format":false,"excerpt":"1. Jose Luis Rebordinos, Director de Donostia Zinemaldia 2015. \u00abUn cine espa\u00f1ol que hablar\u00e1 en esta edici\u00f3n en castellano, euskera, catal\u00e1n, ingl\u00e9s, franc\u00e9s\u2026 como prueba inequ\u00edvoca de una cinematograf\u00eda plural, abierta al mundo, que muchas veces conserva sus caracter\u00edstica m\u00e1s propias pero que en muchas ocasiones consigue, tambi\u00e9n, transcender lo\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1648,"url":"https:\/\/perezginer.es\/?p=1648","url_meta":{"origin":483,"position":3},"title":"Alcaine premiado en Cannes","author":"4gats","date":"June 29, 2011","format":false,"excerpt":"El Festival de Cannes ha entregado el premio Vulcain 2011 por la mejor fotograf\u00eda al espa\u00f1ol Jos\u00e9 Luis Alcaine (Tanger, 1938) por su trabajo en LA PIEL QUE HABITO, de Pedro Almod\u00f3var. Extra\u00f1amente los medios nacionales no han dado el merecido relieve a la importante distinci\u00f3n. Alcaine tiene un brillante\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3096,"url":"https:\/\/perezginer.es\/?p=3096","url_meta":{"origin":483,"position":4},"title":"Boyero versus Clint Eastwood","author":"4gats","date":"September 14, 2014","format":false,"excerpt":"Boyero en su articulo \"\u00bfQu\u00e9 es esto, se\u00f1or Eastwood?\" se alegra de que hayan superado la edad l\u00edmite \u201cdel \u201cseguro de buen fin\u201d algunos directores. En pasadas \u00e9poca vieron truncadas sus carreras por las compa\u00f1\u00edas de seguros Ford y Wilder. Despu\u00e9s constata que siguen en \u201cactivo\u201d Eastwood (84 a\u00f1os) y\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":234,"url":"https:\/\/perezginer.es\/?p=234","url_meta":{"origin":483,"position":5},"title":"El Diputado (1979)","author":"4gats","date":"November 17, 2008","format":false,"excerpt":"Director: Eloy de la Iglesia.","rel":"","context":"In &quot;Pel\u00edculas&quot;","block_context":{"text":"Pel\u00edculas","link":"https:\/\/perezginer.es\/?cat=4"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/perezginer.es\/wp-content\/uploads\/2008\/11\/el_diputado-276x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/posts\/483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=483"}],"version-history":[{"count":0,"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/posts\/483\/revisions"}],"wp:attachment":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}