{"id":3855,"date":"2011-11-24T09:21:00","date_gmt":"2011-11-24T09:21:00","guid":{"rendered":"https:\/\/perezginer.es\/?p=3855"},"modified":"2011-11-24T09:21:00","modified_gmt":"2011-11-24T09:21:00","slug":"seleccion-de-frases-de-la-prensa","status":"publish","type":"post","link":"https:\/\/perezginer.es\/?p=3855","title":{"rendered":"Selecci\u00f3n de frases de la prensa"},"content":{"rendered":"<div style=\"text-align: justify;\">1.- \u00abTenia la fuerza de la ballena blanca, Moby Dick, y la audacia de un felino\u00bb. El Acent, El Pa\u00eds (18.11.2011), refiri\u00e9ndose a la famosa agente literaria Carme Balcells.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">2.- \u00abLo que sorprende el film es que no es la pel\u00edcula anticlerical que esper\u00e1bamos\u00bb. Eulalia Iglesias en Time Out refiri\u00e9ndose a HABEMUS PAPAM.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">3.- \u00abActuamos y trabajamos para que nos quieran\u00bb &#8230; \u00abse nos miraba de forma paternalista: estas nenas que quieren hacer cine, vamos a dejarlas\u00bb. Josefina Molina, primera directora que se gradu\u00f3 en La Escuela de Cine, junto con Pilar Mir\u00f3 y Cecilia Bartolom\u00e9. Revista Academia del Cine.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">4.- \u00abNo se puede negar la influencia del cine de Berlanga: desde Fernando Trueba a Pedro Almod\u00f3var el cine espa\u00f1ol tiene mucho de berlanguiano\u00bb. Santiago Segura. Revista Academia del cine, en su articulo &#8220;Berlanga: asignatura obligator\u00eda&#8221;.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">5.- Referencias a LOS MUERTOS NO SE TOCAN. \u00abEl retrato que Azcona propone (y Garc\u00eda S\u00e1nchez dispone) de la Espa\u00f1a de los sesenta funciona como un negativo de la Espa\u00f1a contempor\u00e1nea, un reflejo invertido que permite comprobar que algunas cosas (las malas especialmente) nunca cambian\u00bb. Gonzalo de Pedro, en &#8220;El Cultural&#8221; de El Mundo.<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\">6.- \u00abLa crisis pemet trencar motlles (romper moldes) que havien encontillat (enconsertado) aquesta casa\u00bb. Ferran Mascarell, diario ARA, refiri\u00e9ndose a la SGAE.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>1.- \u00abTenia la fuerza de la ballena blanca, Moby Dick, y la audacia de un felino\u00bb. El Acent, El Pa\u00eds (18.11.2011), refiri\u00e9ndose a la famosa agente literaria Carme Balcells. 2.- \u00abLo que sorprende el film es que no es la pel\u00edcula anticlerical que esper\u00e1bamos\u00bb. Eulalia Iglesias en Time Out refiri\u00e9ndose a HABEMUS PAPAM. 3.- \u00abActuamos &hellip; <a href=\"https:\/\/perezginer.es\/?p=3855\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Selecci\u00f3n de frases de la prensa&#8221;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-3855","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p71hx9-10b","jetpack-related-posts":[{"id":1856,"url":"https:\/\/perezginer.es\/?p=1856","url_meta":{"origin":3855,"position":0},"title":"Selecci\u00f3n de recortes de prensa","author":"4gats","date":"November 24, 2011","format":false,"excerpt":"1.- \u00abTenia la fuerza de la ballena blanca, Moby Dick, y la audacia de un felino\u00bb. El Acent, El Pa\u00eds (18.11.2011), refiri\u00e9ndose a la famosa agente literaria Carme Balcells. 2.- \u00abLo que sorprende el film es que no es la pel\u00edcula anticlerical que esper\u00e1bamos\u00bb. Eulalia Iglesias en Time Out refiri\u00e9ndose\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2484,"url":"https:\/\/perezginer.es\/?p=2484","url_meta":{"origin":3855,"position":1},"title":"ACADEMIA, revista del cine espa\u00f1ol","author":"4gats","date":"July 12, 2013","format":false,"excerpt":"\u00a0 En el n\u00ba 202, esta revista trata de las relaciones producci\u00f3n-distribuci\u00f3n-exhibici\u00f3n con un espl\u00e9ndido acierto y un \u201cpunto de vista\u201d inmejorable. Adolfo Blanco, distribuidor, dice: \u00abHay que lograr que los contenidos de cine sean mimados y vuelvan a tener un lugar importante en sus distintos formatos y en los\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"Maquetaci\u00f3n 1","src":"https:\/\/i0.wp.com\/perezginer.es\/wp-content\/uploads\/2013\/07\/aca202portada.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3764,"url":"https:\/\/perezginer.es\/?p=3764","url_meta":{"origin":3855,"position":2},"title":"ACADEMIA, revista del cine espa\u00f1ol","author":"admin","date":"July 12, 2013","format":false,"excerpt":"En el n\u00ba 202, esta revista trata de las relaciones producci\u00f3n-distribuci\u00f3n-exhibici\u00f3n con un espl\u00e9ndido acierto y un \u201cpunto de vista\u201d inmejorable. Adolfo Blanco, distribuidor, dice: \u00abHay que lograr que los contenidos de cine sean mimados y vuelvan a tener un lugar importante en sus distintos formatos y en los telediarios.\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-4o0Q2wdOSHI\/Ud0-wajkV6I\/AAAAAAAABXg\/9LrmUzmdghI\/s400\/aca202portada.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3019,"url":"https:\/\/perezginer.es\/?p=3019","url_meta":{"origin":3855,"position":3},"title":"8 opiniones sobre el momento del cine espa\u00f1ol","author":"4gats","date":"February 15, 2014","format":false,"excerpt":"1. Gonz\u00e1lez Macho, presidente de la Academia: \u00abHacer cine en Espa\u00f1a es un acto heroico\u00bb. 2. Jaime de Armi\u00f1an, Goya honorifico 2013: \u00abNo voy a hablar de la situaci\u00f3n del cine espa\u00f1ol porque no voy a remediarla\u00bb. 3. Manuel Mart\u00edn Cuenca, director de CAN\u00cdBAL: \u00abEstoy en contra de ese concepto\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3260,"url":"https:\/\/perezginer.es\/?p=3260","url_meta":{"origin":3855,"position":4},"title":"TVE, imprescindible para el cine espa\u00f1ol","author":"4gats","date":"July 10, 2015","format":false,"excerpt":"Los \u201clocos del cine\u201d tenemos claro que sin TVE no existir\u00eda cine espa\u00f1ol, con \u201ccontinuidad industrial\u201d, y muchas pel\u00edculas con riesgo no se hubieran realizado. Seleccionamos opiniones de la Revista de la Academia, que confirman nuestra afirmaci\u00f3n. - Agust\u00edn Almod\u00f3var asegura haber ofrecido, en m\u00e1s de una ocasi\u00f3n, sus proyectos\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"nuestro_cine","src":"https:\/\/i0.wp.com\/perezginer.es\/wp-content\/uploads\/2015\/07\/nuestro_cine.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/perezginer.es\/wp-content\/uploads\/2015\/07\/nuestro_cine.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/perezginer.es\/wp-content\/uploads\/2015\/07\/nuestro_cine.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1505,"url":"https:\/\/perezginer.es\/?p=1505","url_meta":{"origin":3855,"position":5},"title":"M\u00e1s sobre Berlanga","author":"4gats","date":"December 22, 2010","format":false,"excerpt":"El n\u00famero de la \u00faltima revista publicada por la Academia Espa\u00f1ola de Cine dedica muchas p\u00e1ginas a Berlanga.","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/posts\/3855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3855"}],"version-history":[{"count":0,"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/posts\/3855\/revisions"}],"wp:attachment":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}