{"id":1856,"date":"2011-11-24T09:35:02","date_gmt":"2011-11-24T09:35:02","guid":{"rendered":"http:\/\/perezginer.es\/?p=1856"},"modified":"2011-11-24T09:35:02","modified_gmt":"2011-11-24T09:35:02","slug":"1856","status":"publish","type":"post","link":"https:\/\/perezginer.es\/?p=1856","title":{"rendered":"Selecci\u00f3n de recortes de prensa"},"content":{"rendered":"<p style=\"text-align: justify;\">1.- \u00abTenia la fuerza de la ballena blanca, Moby Dick, y la audacia de un felino\u00bb. El Acent, El Pa\u00eds (18.11.2011), refiri\u00e9ndose a la famosa agente literaria Carme Balcells.<\/p>\n<p style=\"text-align: justify;\">2.- \u00abLo que sorprende el film es que no es la pel\u00edcula anticlerical que esper\u00e1bamos\u00bb. Eulalia Iglesias en Time Out refiri\u00e9ndose a HABEMUS PAPAM.<\/p>\n<p style=\"text-align: justify;\">3.- \u00abActuamos y trabajamos para que nos quieran\u00bb &#8230; \u00abse nos miraba de forma paternalista: estas nenas que quieren hacer cine, vamos a dejarlas\u00bb. Josefina Molina, primera directora que se gradu\u00f3 en La Escuela de Cine, junto con Pilar Mir\u00f3 y Cecilia Bartolom\u00e9. Revista Academia del Cine.<\/p>\n<p style=\"text-align: justify;\">4.- \u00abNo se puede negar la influencia del cine de Berlanga: desde Fernando Trueba a Pedro Almod\u00f3var el cine espa\u00f1ol tiene mucho de berlanguiano\u00bb. Santiago Segura. Revista Academia del cine, en su articulo &#8220;Berlanga: asignatura obligator\u00eda&#8221;.<\/p>\n<p style=\"text-align: justify;\">5.- Referencias a LOS MUERTOS NO SE TOCAN. \u00abEl retrato que Azcona propone (y Garc\u00eda S\u00e1nchez dispone) de la Espa\u00f1a de los sesenta funciona como un negativo de la Espa\u00f1a contempor\u00e1nea, un reflejo invertido que permite comprobar que algunas cosas (las malas especialmente) nunca cambian\u00bb. Gonzalo de Pedro, en &#8220;El Cultural&#8221; de El Mundo.<\/p>\n<p style=\"text-align: justify;\">6.- \u00abLa crisis pemet trencar motlles que havien encontillat aquesta casa\u00bb. Ferran Mascarell, diario ARA, refiri\u00e9ndose a la SGAE.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1.- \u00abTenia la fuerza de la ballena blanca, Moby Dick, y la audacia de un felino\u00bb. El Acent, El Pa\u00eds (18.11.2011), refiri\u00e9ndose a la famosa agente literaria Carme Balcells. 2.- \u00abLo que sorprende el film es que no es la pel\u00edcula anticlerical que esper\u00e1bamos\u00bb. Eulalia Iglesias en Time Out refiri\u00e9ndose a HABEMUS PAPAM. 3.- \u00abActuamos &hellip; <a href=\"https:\/\/perezginer.es\/?p=1856\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Selecci\u00f3n de recortes de prensa&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2],"tags":[],"class_list":["post-1856","post","type-post","status-publish","format-standard","hentry","category-blog"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/s71hx9-1856","jetpack-related-posts":[{"id":3855,"url":"https:\/\/perezginer.es\/?p=3855","url_meta":{"origin":1856,"position":0},"title":"Selecci\u00f3n de frases de la prensa","author":"JAPG","date":"November 24, 2011","format":false,"excerpt":"1.- \u00abTenia la fuerza de la ballena blanca, Moby Dick, y la audacia de un felino\u00bb. El Acent, El Pa\u00eds (18.11.2011), refiri\u00e9ndose a la famosa agente literaria Carme Balcells.2.- \u00abLo que sorprende el film es que no es la pel\u00edcula anticlerical que esper\u00e1bamos\u00bb. Eulalia Iglesias en Time Out refiri\u00e9ndose a\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1505,"url":"https:\/\/perezginer.es\/?p=1505","url_meta":{"origin":1856,"position":1},"title":"M\u00e1s sobre Berlanga","author":"4gats","date":"December 22, 2010","format":false,"excerpt":"El n\u00famero de la \u00faltima revista publicada por la Academia Espa\u00f1ola de Cine dedica muchas p\u00e1ginas a Berlanga.","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3969,"url":"https:\/\/perezginer.es\/?p=3969","url_meta":{"origin":1856,"position":2},"title":"M\u00e1s sobre Berlanga","author":"admin","date":"December 22, 2010","format":false,"excerpt":"El n\u00famero de la \u00faltima revista publicada por la Academia Espa\u00f1ola de Cine dedica muchas p\u00e1ginas a Berlanga. Extractamos algunas opiniones:Berlanga y Bu\u00f1uel son el alma de un pa\u00eds cruel que trata a sus genios de \u201cpeculiares\u201d, el coraz\u00f3n sangriento y negro de pa\u00eds ingrato que nunca aprender\u00e1 a amar\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3983,"url":"https:\/\/perezginer.es\/?p=3983","url_meta":{"origin":1856,"position":3},"title":"Berlanga, loco del cine","author":"admin","date":"November 15, 2010","format":false,"excerpt":"El gran director y gran amigo Berlanga nos ha dejado. En una de sus \u00faltimas entrevistas dec\u00eda: \"el dolor me jode, pero me jode m\u00e1s morirme\". Sus deseos de vivir eran evidentes para todos los que le hemos tratado. Hasta el \u00faltimo momento ha sido \"vital\", como debe ser. Era\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1442,"url":"https:\/\/perezginer.es\/?p=1442","url_meta":{"origin":1856,"position":4},"title":"Els periodistes parlen de BERLANGA","author":"4gats","date":"November 22, 2010","format":false,"excerpt":"A la seva columna de EL PERIODICO, Olga Merino diu sobre el director valenci\u00e0: \u201cEl gran Luis Garc\u00eda Berlanga, el mestre del cine que ens acaba de deixar, coneixia perfectament els ingredients d\u2019aquesta marmita d\u2019espanyolitat tragic\u00f2mica que potser va arrencar a bullir amb la riallada jocunda de l\u2019Arxipres d\u2019Hita. Amb\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2484,"url":"https:\/\/perezginer.es\/?p=2484","url_meta":{"origin":1856,"position":5},"title":"ACADEMIA, revista del cine espa\u00f1ol","author":"4gats","date":"July 12, 2013","format":false,"excerpt":"\u00a0 En el n\u00ba 202, esta revista trata de las relaciones producci\u00f3n-distribuci\u00f3n-exhibici\u00f3n con un espl\u00e9ndido acierto y un \u201cpunto de vista\u201d inmejorable. Adolfo Blanco, distribuidor, dice: \u00abHay que lograr que los contenidos de cine sean mimados y vuelvan a tener un lugar importante en sus distintos formatos y en los\u2026","rel":"","context":"In &quot;Blog&quot;","block_context":{"text":"Blog","link":"https:\/\/perezginer.es\/?cat=2"},"img":{"alt_text":"Maquetaci\u00f3n 1","src":"https:\/\/i0.wp.com\/perezginer.es\/wp-content\/uploads\/2013\/07\/aca202portada.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/posts\/1856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1856"}],"version-history":[{"count":0,"href":"https:\/\/perezginer.es\/index.php?rest_route=\/wp\/v2\/posts\/1856\/revisions"}],"wp:attachment":[{"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/perezginer.es\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}